Agent Skills

Writing

467 skills.

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aussie-business-englishjezwebAustralian business English for professional writing — warm, direct, EN-AU spelling (colour, organise, centre), no filler words. Use whenever the user is writing for an Australian audience: emails, chat messages, proposals, client communications, blog posts, web copy, or any business writing. Apply to drafting, editing, and tone-checking professional text.award-applicationjezwebWrite compelling award submissions, grant applications, and competition entries. Maps achievements to selection criteria using evidence-based narratives. Use whenever the user is applying for a business award (Telstra, chamber of commerce, industry awards), a grant, a competition, or any submission demonstrating merit against defined criteria.nz-business-englishjezwebNew Zealand business English writing style for professional communications — warm, inclusive, EN-NZ spelling (colour, organise, centre). Use whenever the user is writing for a New Zealand audience: emails, chat messages, proposals, client communications, blog posts, web copy, or any business writing. Apply to drafting, editing, and tone-checking professional text.resume-cover-letterjezwebWrite a resume / CV or cover letter tailored to a specific role. Handles regional format differences (AU/NZ, US, UK), ATS-friendly formatting, achievement-focused bullets, and cover letter structure. Use whenever the user mentions a job application, resume, CV, cover letter, career document, applying for a role, or needs help framing their experience for a specific job.uk-business-englishjezwebBritish business English writing style for professional communications — polished, understated, EN-GB spelling (colour, organise, centre). Use whenever the user is writing for a British audience: emails, chat messages, proposals, client communications, blog posts, web copy, or any business writing. Apply to drafting, editing, and tone-checking professional text.us-business-englishjezwebAmerican business English writing style for professional communications — direct, action-oriented, EN-US spelling (color, organize, center). Use whenever the user is writing for an American audience: emails, chat messages, proposals, client communications, blog posts, web copy, or any business writing. Apply to drafting, editing, and tone-checking professional text.chinese-content-writing-guidelinejim60105Writing guidelines for producing high-quality Traditional Chinese (zh-TW) content. Use when writing any kind of content. Including blog posts, notes, technical articles, technical writing, chitchat, social media posts, etc., even when you are just sending a text message. Also use when reviewing or editing existing Chinese content for tone, style, and terminology compliance.qiaomu-novel-generatorjoeseesunGenerate original, complete, highly gripping Chinese short fiction from a story theme, character setup, synopsis, trope, classic-plot inspiration, or draft excerpt. Use when the user asks for 小说, 短篇小说, 故事, 网文样章, 开篇钩子, 悬念改写, 人物欲望强化, 情节升级, 续写, 经典桥段重构, or wants a blend of excellent writers' general narrative techniques without copying protected text or imitating a living author's distinctive style.belief-systemsjwyniaDesign religious and belief systems for fictional worlds. Use when creating pantheons, religious institutions, spiritual practices, or any belief structures that shape society and drive character motivation.chapter-drafterjwyniaAutonomously draft and polish chapters through multi-skill editorial passes. Use when you have a complete outline and want to produce a polished first draft with iterative refinement.character-arcjwyniaDesign and troubleshoot character transformation arcs. Use when characters feel static, when transformation feels unearned or abrupt, when you can't articulate what false belief needs to die, or when characters serve plot without having internal journeys. Covers positive, negative, and flat arcs.character-namingjwyniaBreak LLM name defaults with external entropy. Use when character names cluster around statistical medians (Chen, Patel, Maya, Marcus), when cast has collision risks, or when fantasy cultures need phonologically consistent naming.cliche-transcendencejwyniaTransform predictable story elements into fresh, original versions. Use when something feels generic, when feedback says "I've seen this before," when elements orbit the protagonist too conveniently, or when you want to make a familiar trope feel new. Applies the 8-step CTF process and Orthogonality Principle.dialoguejwyniaDiagnose flat dialogue, same-voice characters, and lack of subtext. Use when conversations feel wooden, characters sound alike, or dialogue only does one thing at a time.draftingjwyniaBreak through blocks and execute first drafts. Use when the outline is done but the draft isn't happening, when writer's block strikes, when the blank page remains blank, or when progress stalls.economic-systemsjwyniaDesign economic systems for fictional worlds. Use when worldbuilding needs currencies, trade networks, resource economies, or when economic pressures should drive plot and character motivation.endingsjwyniaDiagnose weak endings, rushed resolutions, and arbitrary conclusions. Use when stories build well but end disappointingly, when climax feels unearned, or when resolution doesn't complete character arcs.flash-fictionjwyniaDiagnose and fix problems in flash fiction and micro fiction. Use when flash fiction feels weak, when writing stories under 1500 words, when working with micro fiction, sudden fiction, or compressed narrative forms.genre-conventionsjwyniaDiagnose genre problems and generate genre-specific elements. Use when genre promise is unclear, when elements feel misplaced, when secondary genres compete with primary, or when you need genre-specific entropy. Covers all 11 elemental genres from the Writing Excuses framework.governance-systemsjwyniaDesign political entities and governance systems for fictional worlds. Use when creating kingdoms, empires, federations, or any political structures that need realistic internal complexity and external relationships.interactive-fictionjwyniaDiagnose branching narrative problems. Use when choices feel meaningless, when branching is unmanageable, when player agency conflicts with authored story, or when interactive elements break narrative flow.joke-engineeringjwyniaDiagnose and improve humor using systems thinking. Use when jokes fall flat, when humor feels forced, when punchlines don't land, or when you want to systematically enhance comedic writing. Treats jokes as engineerable connection systems.key-momentsjwyniaStructure stories around essential emotional moments using Rodriguez's approach integrated with elemental genres. Use when plotting feels mechanical, when emotional beats need defining, or when building stories from vivid scenes rather than plot outlines.language-evolutionjwyniaDesign evolving language systems for fictional worlds. Use when creating language families, dialects, linguistic history, or when language should reflect cultural and historical development.lyric-diagnosticjwyniaDiagnose lyric problems across prosody, rhyme, meaning, register, sound, and structure. Use when AI-generated or human lyrics feel flat, cliched, awkward, or mismatched.namingjwyniaDiagnose why names don't work and guide creation of names that do. Use for brand names, product names, character names, place names, and titles when something feels off or when systematic naming is needed.novel-revisionjwyniaManage multi-level novel revisions while preventing cascade problems. Use when editing novels, when changes at one level break things at others, when you need systematic change management for long-form fiction, or when revisions keep creating new problems.oblique-worldbuildingjwyniaCreate worldbuilding quotes and epigraphs through documentary perspectives. Use for chapter epigraphs, in-world documents, or any content where limited perspective creates meaning through what the documenter cannot see.outline-coachjwyniaAct as an assistive outline coach who guides structural development through questions. Use when helping someone develop their own outline through diagnosis and frameworks. Critical constraint - never generate outline content. Instead ask questions, identify structural issues, suggest approaches, and let the writer structure.outline-collaboratorjwyniaAct as an active outline partner who develops structure collaboratively. Use when developing, iterating, or improving story outlines. Generates scene beats, character arcs, plot structures, and exploratory prose samples. Contrasts with story-collaborator which drafts finished prose.prose-stylejwyniaDiagnose sentence-level issues after structure is solid. Use when prose feels flat, sentences are monotonous, word choices are generic, or voice is inconsistent.reverse-outlinerjwyniaReverse-engineer published books into structured scene-by-scene outlines for study. Use when analyzing craft, learning story structure from masters, or creating teaching materials from existing works.revisionjwyniaGuide the edit pass after drafting. Use when revision feels overwhelming, when changes cascade unpredictably, when you can't see problems anymore, or when editing never ends.scene-sequencingjwyniaStructure scenes and control pacing using scene-sequel rhythm. Use when individual scenes work but don't accumulate, when pacing feels off (too rushed or too slow), when transitions feel mechanical, or when readers can follow but aren't compelled forward. Based on Dwight Swain's Goal-Conflict-Disaster and Reaction-Dilemma-Decision structure.settlement-designjwyniaDesign cities, towns, and settlements for fictional worlds. Use when creating urban environments, mapping city districts, or when settlements need realistic layered development and spatial logic.shared-worldjwyniaMaintain a wiki-style world bible for collaborative fiction. Use for long-running story worlds, shared universes, membership sites, or any fiction requiring persistent canonical reference.story-analysisjwyniaSystematically evaluate completed short stories or novel chapters to identify strengths, weaknesses, and improvement opportunities. Use after drafting to assess whether the piece achieves its narrative goals.story-coachjwyniaAct as an assistive writing coach who guides but never writes for the user. Use when helping someone develop their own writing through questions, diagnosis, and frameworks. Critical constraint - never generate story prose, dialogue, or narrative content. Instead ask questions, identify issues, suggest approaches, and let the writer write.story-collaboratorjwyniaAct as an active writing partner who contributes content alongside the human writer. Use when the writer wants a collaborator who generates prose, dialogue, alternatives, and builds on their ideas. Applies Story Sense frameworks while actively contributing to the creative work. Contrasts with story-coach which never writes.story-idea-generatorjwyniaGenerate story concepts using a genre-first approach. Use when starting a new project, when brainstorming ideas, when a concept needs strengthening, or when you want to ensure emotional impact drives the story.story-sensejwyniaDiagnose what any story needs regardless of its current state. This skill should be used when a writer is stuck, evaluating story problems, when narrative feels broken, or when someone asks 'what's wrong with my story?'. Keywords: story, diagnosis, stuck, narrative, plot, character, worldbuilding, revision.story-zoomjwyniaManage multi-level story synchronization. Use when changes at one abstraction level (pitch, structure, scenes, entities, prose) need to propagate to others, or when story elements feel inconsistent across levels.summarizationjwyniaCreate effective summaries by matching summarization type to purpose, audience, and context. Use when asked to summarize, create TLDR, condense content, or create executive summaries. Keywords: summary, TLDR, condense, executive summary, abstract.systemic-worldbuildingjwyniaBuild worlds through cascading consequences from speculative changes. Use when introducing new technologies, species, or alternate histories and need to trace realistic societal transformations across multiple domains.voice-analysisjwyniaExtract and document a writer's distinctive voice patterns for consistent reproduction. Use when you need to capture writing voice, analyze writing style, create a voice guide, or write in someone's established style. Keywords: voice, tone, style, writing analysis, fingerprint.worldbuildingjwyniaDiagnose world-level story problems. This skill should be used when settings feel thin, institutions feel designed rather than evolved, economies don't make sense, or non-human species feel like humans in costume. Keywords: worldbuilding, setting, world, institutions, economy, culture, species, consequences.official-document-writingkagurananaga专业的党政机关公文写作指南。当用户需要撰写、修改或审核党政机关公文(如请示、通知、函、总结、纪要等)时使用。提供GB/T 9704-2012格式规范指导、常用公文模板、语言规范建议和公文质量检查。适用于以下场景:(1) 撰写新公文,(2) 修改完善公文,(3) 检查公文格式规范,(4) 提供公文写作指导,(5) 审核公文质量。human-writingkkkkhazix通用中文创作与改稿 Skill。用于知乎回答、论坛长帖、公众号文章、博客、评论、人物故事、历史叙事、新闻与行业解读、科普、教程、评测、个人叙事、小说、故事、对白、口播和演讲稿。默认写成一个见过事、查过材料、愿意把来龙去脉讲清楚的人在说话,重点保留中文互联网长回答与长帖的活人感和自然中文韵律,避免空泛的机构腔、喊口号式演说腔、营销腔和模型腔。非虚构长文先检查材料够不够,材料不足时研究、追问或缩短,绝不用重复解释灌字数。现实内容额外核验事实、引语、数据与用户亲历,虚构内容可以创造人物、场景、对白、心理与情节。成稿正文严禁冒号、破折号、“不是……而是……”及同类翻案句,并清除商业黑话和模型惯用黑话。不创建作者画像、个人规则库或个人写作 Skill。medium-postskostja94When the user wants to write, publish, republish, or optimize posts on Medium.com (canonical tags, distribution, Medium SEO). Also use when the user mentions "Medium," "Medium article," "Medium story," "Medium publishing," "canonical Medium," or "publish on Medium." Not for general parasite SEO when Medium is not the target platform—use parasite-seo. For AI search visibility strategy, use generative-engine-optimization.lieflat-less-ai-tonelarashero3-dotcom按 SKILL.md 明确列出的规则识别并改写写作中的 AI 痕迹。只能处理清单内的问题;未命中规则的文字必须原样保留,也不能改变文章框架。适用于写作完成后的成稿清理。 Remove AI writing tells using an explicit whitelist of rules; leaves unmatched text untouched.

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